meanwhile, you go in the other room and there's a tiny little tv screen and here's "king kong" and "yankee doodle dandy" coming over. you know, i was inoculated. maybe i was a lonely kid and i'd spent too much time by the radio, and in front of the tv, but i was inoculated with that. as a filmmaker now that i get the opportunity to film neil young, to have a chance to marry great music with hopefully terrific cinematic approach, it's heaven for me. i love it. tavis: i'll come back to carolyn parker in a second, this other project of yours. to your point about your childhood, when, where, how did you connect with your calling as a filmmaker? >> i went to the movies all of the time as a kid on long island. i'd get the papers. i used to cut out the movie ads. i was obsessed with movies. i'd save stacks of movies. i used to go into the basements of apartment buildings, tavis, to see if they had any old newspapers that had some movie ads that i didn't have in my collection. so i used to go to the movies all the time, all the time, all the time. then i had the opportunity to become a film critic on a c