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Aug 18, 2015
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i mean, lily is a magnet in part. >> yes, lily is a magnet, for someone like laverne cox, that lily admires as a an argument fr and, actor and social figure to work with lily and to work on something like this which is a little different, completely in her wheelhouse, but i actually -- what i felt was that it was so important or this one to be done properly. when i was saying i was maybe jobbing about you needing to take a moment if this is the right thing to do, i have el have thought about how important it was to get this one right an how unlucky i was, how lucky i was to sit with lily and. >> rose: and she helped you with the script. >> oh, yes. you know, from analyzing -- >> rose: i tend to believe her it was nine naturally. >> not from my perspective. and other people i just have their phone number. this is is the tenth film i directed -- >> rose: phone them in on a big budget? >> yes, not with a big budget. the funny thing is, i think at some point people actually have a better time doing lower budget stuff because it is more corrected to what drove them to acting in the first place,
i mean, lily is a magnet in part. >> yes, lily is a magnet, for someone like laverne cox, that lily admires as a an argument fr and, actor and social figure to work with lily and to work on something like this which is a little different, completely in her wheelhouse, but i actually -- what i felt was that it was so important or this one to be done properly. when i was saying i was maybe jobbing about you needing to take a moment if this is the right thing to do, i have el have thought...
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Aug 19, 2015
08/15
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lily is a magnet. guest: laverne cox, i think the opportunity to work with her and on something like this, which is a little different, completely in her wheelhouse. what i felt was that it was so important for this one to be done properly. i was maybe joking about you. take a moment. i really have thought about how important it was to get this one right and months to work with lily. we sat down with the script. charlie: she helped you with the script? guest: yeah. minimally. guest: other people i just had their phone number. this is the 10th film i have directed. charlie: big budget? guest: not a big budget. people actually have a better time doing lower budget stuff because it is what drove them to acting, whether it be sam or marsha. they are excited to do something that is truly for the love it. charlie: talk about grace and frankie. whose idea was that? guest: she came to jane and me both together and they presented the idea to us and jane and i wanted to do something about older women any way tha
lily is a magnet. guest: laverne cox, i think the opportunity to work with her and on something like this, which is a little different, completely in her wheelhouse. what i felt was that it was so important for this one to be done properly. i was maybe joking about you. take a moment. i really have thought about how important it was to get this one right and months to work with lily. we sat down with the script. charlie: she helped you with the script? guest: yeah. minimally. guest: other...
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Aug 31, 2015
08/15
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her hair is not sort of perfect lady -- russell: i photograph lily very much. she's about as rounded a person as you can get. she's a remarkable mother, a remarkable spokesperson. she is philanthropic in her nature and is an absolutely gorgeous woman. she walks in with appeared genes, and a t-shirt. charlie: tell me about this photograph. russell: taken in the northwest of australia, it was with an elder. it was -- literally, some things are self-explanatory. i looked at the eyes and body and said, i can literally see the 50,000 years of your culture and your eyes. there wasn't a lot of explanation to it. it's an art project where i would collaborate with indigenous cultures. i did it because there are so many issues where indigenous cultures have been marginalized and for many groups i met, there have been extraordinary suffering going on. but this tribe is the seminal tribe of florida. they have one of the greatest success stories. we are working on something we called seminal spirit. what i hope to show is a positive side to what is often a negative. this tr
her hair is not sort of perfect lady -- russell: i photograph lily very much. she's about as rounded a person as you can get. she's a remarkable mother, a remarkable spokesperson. she is philanthropic in her nature and is an absolutely gorgeous woman. she walks in with appeared genes, and a t-shirt. charlie: tell me about this photograph. russell: taken in the northwest of australia, it was with an elder. it was -- literally, some things are self-explanatory. i looked at the eyes and body and...
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Aug 22, 2015
08/15
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lily is a magnet in part. >> yeah, lily is a magnet. what i felt was it was so important for this one to be done properly and how lucky i was to have months to work with lilo it. we sat down with the script months ahead time. >> rose: and she helped you with the script? >> oh, yeah. >> minimally. >> from analyzing -- >> she's so honest i toned believe her it was minimally. >> not from my perspective. and other people i just had their phone number. ( laughter ) this is the tenth film i've directed. >> rose: phone numbers and a big budget. >> yeah, not such a big budget. the funny thing is i think at some point people actually have a better time doing lower budget stuff because it's more connected to who drove them to the film in the first place. so they're really excited to do something that's purely for the love of it. >> rose: let me talk a bit about "grace and frankie." whofs idea. >> that was martha's idea. she came to me and jane both and they presented the idea to us. jane and i wanted to do something about older women anyway that
lily is a magnet in part. >> yeah, lily is a magnet. what i felt was it was so important for this one to be done properly and how lucky i was to have months to work with lilo it. we sat down with the script months ahead time. >> rose: and she helped you with the script? >> oh, yeah. >> minimally. >> from analyzing -- >> she's so honest i toned believe her it was minimally. >> not from my perspective. and other people i just had their phone number. (...
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Aug 31, 2015
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. >> rose: this is lily aldridge too, what should i notice about this. >> what i notice about lilly is i photographed lilly very much as a girl next door for sort of come metic brands but lily is about as rounded a person as you can get. she is a remarkable mother. she is a remarkable spokesperson. she is philanthropic in her nature. and she is an absolutely gorgeous woman. and then there is this, this is a picture of a man from newer nomad series. tell me about this. >> bonny semper taken in the northwest of australia. i was with an elder and his name was donie-- and literally i think some things are self-explanatory. i looked at the eyes of bonnie and i just said, i can literally see the 50,000 years of your culture in your eyes. and there wasn't a lot of explanation to it. >> rose: what's that? >> nomad 2 worlds is my vehicle, it was started as an art project where i would collaborate with indigenous cultures. and i did it because there were so many issues in indigenous culture, whether they had been marginalized. and for many of the indigenous groups that i meet, there have been ex
. >> rose: this is lily aldridge too, what should i notice about this. >> what i notice about lilly is i photographed lilly very much as a girl next door for sort of come metic brands but lily is about as rounded a person as you can get. she is a remarkable mother. she is a remarkable spokesperson. she is philanthropic in her nature. and she is an absolutely gorgeous woman. and then there is this, this is a picture of a man from newer nomad series. tell me about this. >> bonny...