keeping you up to date with world news every half hour on press tv, news and brief for this hour on day 41 of israel's onslot on the gaza strip, the shifa hospital is. surrounded by israeli tanks and bulldozers, no one is allowed to leave the medical complex, regime forces have bombed the hospital's waterline, they have also stolen several palestinian bodies. themas has presented evidence rejecting israeli allegations that the palestinian resistance movement operates on the hospitals in gaza. the senior representative of hamas said the united states and israel have aired bases allegations against hamas. un experts say

there is evidence on quote increasing genocidal incitement against the palestinians in gaza. the experts have denounced the grave violations israel has been undertaking in gaza since october the 7th. the group also censored governments for their failure in achieving a ceasefire. in washington pro palestine rally turns violent as protesters and police face staff outside the democratic national headquarters, the protesters called for a ceasefire in gaza. also in britain's capital, london and jordan's capital, amman. of protesters condemned israeli rades on al shifa hospital as well as the us support for the regime's atrocities. and lebanon's resistance movement hezbollah has carried out another strike against israel's military positions along the border. hisball fired rockets and missiles towards seven israeli military sites. injuries have been reported amongst israeli soldiers.

the storytellers of the arab world encourage the palestinian filmmakers were scattered throughout arab countries. they were the first people to take some steps to make the dream come true and jordan. abraham with his

movie struggle and jotish became the first palestinian filmmaker who played a major role in the process of making a feature film. the movie started the jordanian cinema, but neither with this movie or other movies made by other arab filmmakers were created either quantitatively. or qualitatively, saran and his colleagues could not establish any significant cinema trend that was aimed at the goal of liberating palestine. on the other hand, israeli cinematographers began to present hand-picked images of very beautiful, legendary and rich country that was the island of stability in the middle east. the

goal of making those movies was to present a perfect image of the newly established israel to encourage the jews everywhere in the world to immigrate to israel. of in these documentaries. the israeli cinema

was always showing and trying to reach a greater israel. before that, the israeli cinema rarely made feature films, but since the 1960s, the development and support of fictional cinema was put top of israel's cultural policies. in that decade, movies were made in israeli cinema that were known as a buddha's genre.

the movie salah was the first movie of this genre. these movies. which were mostly superficial and crude comedies were made based on the story of the immigration and settlement of jews from all over the world in israel, these scenes were not satisfactory for the israelis. after a while israel huge investment on the production of fiction films. on the one hand, the jewish immigrant community that had been transferred to palestine from all over the world, after

several decades, still had no sense of commonality and national pride. cinema could instill the spirit of patriotism in the immigrant groups by telling stories of unity. somebody come and help me cut him down? the movies that were made with new strategy opened a window so the audiences all over the world could see the story of the establishment of israel and its fake history from the angle israel wanted.

the united states of america is proud to be the first nation to recognize the new state of israel and with this approach cinema would practically become a part of the battlefield and pave the way for hollywood stars to go to israel. in those movies israel was portrayed as an oppressed nation that was invaded by war mungary. arabs. i hear's a country surrounded by five arab nations ready to shove them into the

mediterranean. no guns, no tanks, no friends, nothing. people fighting with their barehands for a little piece of desert, because it's the last place on this whole earth that the can go to and try to live in, and why did you come back? it was very clear that the stars who stepped in to help israel would not easily back down. in the last circle, it was always israel that proved its ability to defend itself and its citizens with the final victory.

while the israelis were equipped both in the media and in practice, nasa clearly assumed the leadership role in solving the palestinian issue by establishing the palestine liberation organization. the arab's league meeting in cairo clearly proved. to the israelis that the arabs were disunited. june 5th, 1967 became the great test of the united arab nation. israel attacked egypt and captured the sinani desert.

israel also inflicted heavy defeats on the arab armies on the jordanian and syrian fronts. the myth of nasa, the dream of a united arab nation and the palestinian. refugees dreams all collapsed in the six day war and vanished into thin air. the palestinians under the leadership of yasir arafat believed only hope for the liberation of palestine is palestinians themselves and no one else. they pin all their wishes and dreams on yaser arafat. the most famous palestinian fighter, arafat managed to

establish a left-wing nationalist gorilla organization named the fata organization in jordan. to expand its activities and strengthen itself against the zionist front, the fata organization started recruiting new members. a palestinian woman who had studied photography and cairo was one of the new members who joined fata. she started a small photography studio in her apartment in aman

and set up photography equipment in her kitchen, her main concern was to make commemorative pictures of the gorillas and marters. mustafa, abu ali and honey. joharia, two palestinians who studied cinema and were living in jordan, joined mersal. they had worked for the jordanian television for many years. they borrowed cameras from there and recorded everything as much as possible, demonstrations, public gatherings or any other political and cultural activities. ببن السلطه الوطنيه ابن السلطه

الوطنيه نبني عالمنا الجديد في عيد راس السنه ولا يهتم بكم هو اجبن من جبان وهو اكثر من كلب ايها الاخوه اقتلوني لاني ساقول الحقيقه and later a photography department established and the first sparks of the palestinian documentary cinema were formed from the heart of that structure. the 60s was decade of the great rebellion of european filmers against hollywood. et c'est là notre but aujourd'hui ou demain il ne s'agit pas de ça, il s'agit de manifester. as the most famous filmmaker the new wave in france, was at the forefront

of all the rebellions that targetted. in 1968, guddard, the most revolutionary anti-hollywood filmmaker went to jordan. he visited the palestinian camps, met abu ali, honey, johariah, and their friends and filmed the refugee camps and gorilla bases. باسم الله باسم الفتح باسم الثوره الشعبيه باسم الدم باسم الجرح اللي بينزف حريه باسمك باسمك يا فلسطين اعلمناها للملايين باسمك باسمك يا فلسطين اعلمناها للملايين عاصفه عاصفه عاصفه

عاصفه use the videos in a movie titled here and elsewhere. يا يحكى ان انا فداعي دعيه فدايه عصفه عصفه ن عصفه شعب شعب ايه شاعب غزه غزه ايه غزه بلدنا بلدنا ايه بلدنا يافا يافا ايه بسم الدم باسم الشور باسم الدم بسم الشرب اللي in the same year, the us proposed the peace plan to the conflicting parties in the middle east, the palestinians objected and started

demonstration on the streets of jordan, the experience of accompany palestinians with. great revolutionary directors had awaken the dormant dreams of abu ali and his friends. when the photography department team, whose main members were mustafa abu ali, hany, johariah, and mersal, watched the recorded images of the demonstrations, they came to the conclusion that they have everything they needed to make a movie. so they started working and made a 20-minute movie called say no to the... plan, it was the first movie of resistance organizations, the movie was screened to senior leaders of patah. the palestinian leaders found something in the movie that became the main reason for their interest in cinema, the power of cinema and explaining the situation in the battlefield.

the revolution cinema was the title fatal leaders chose for the palestinian cinema. mustafa abu ali in a statement wrote for palestine film foundation and highlighted the goals of the revolutionary cinema as follows: the sound of guns should be louder than any other sound. light weapons are the people's main weapons in the war, and in the same way, light. 16 mm cameras are the most suitable weapon for the cinema about people. the success of a movie should be measured by the same criteria as the success of a military operation. they are both seeking to realize a political ideal. we create new people, instead of being refugees to breed to be

fighters. this is very important. we were refugees. homeless, we became now fighters, freedom fighters. in the first step, the palestinian cinema changed a stereotypical image of the palestinian people. now after 20 years, the motivated pictures of the cinematographers replaced the image of the oppressed palestinian refugees with that of fighting warriors. the israelis cannot put up the with the palestinians who are now united to liberate their land. soon enough the conflict between fata and israel began. gurulas were

most important. targets of israel in its attacks on the karame village in jordan. after israel's rapid retreat, the battle became legendary victory for the palestinians, whose value doubled after the heavy defeat by the arabs in the six day war. only in the first 48 hours after the end of the war, 5,000 palestinians applied for membership in the organization. the battle of karame initially brought about the unity of the kingdom of jordan and the palestinians.

but soon, the gaining of power by fatas gurillas led to internal differences, and that got out of control and led to a wide-spread and bloody conflict. king hossain of jordan was targeted in an assassination attempt. the jordanian army blamed the palestinians. in september of 19. 1970, king hussein attacked the gorilla's positions and pushed them back to the syrian borders. although the fatah organization inevitably set up his organization once again in the

south of lebanon, the eventful years after exile left deep impact on palestinian society. defeated by israel and the west, disillusionment with the arabs, the bad conditions of the refugees and displacement and isolation in arab societies strengthen the unity of the people who are suffering from similar mental injuries. narrative based a common pain could act as a unifying factor. their great task was assigned to the palestinian cinema, introducing the

palestinian national narrative instead of the failed idea of a united arab nation, making more than 60 documentary films was answer to the need. على هذا الركام من الابنيه في هذا المخيم ان الغارات البربريه التي قام بها سلاح الطيران الصهيوني ددل بشكل قاطع على العقليه الفاشيه لحكم اسرائيلentaries that were made those years were presented through a simple narrative that had fixed pattern وصلنا لهين ما لقيت ابني رحنا عصيد على المستشفيات ما لقيت ابني ثاني يوم قالوا لي ابنك بالمخيم فوق بعده

بالردم سحبنا ورحنا جبناه واجينا لهين دفنا يعني ككسم يعني العاده صحيح انه ما ام الا ما بتحترك بس هالشيء هذا بده شويه من الجراعه يعني لانه مش علينا لحالنا على كل الشعب الفلسطيني العربي نحن بس ايه نسيب بلادنا حتى ان يكون اليهود هي تعيش بيا واحنا نموت هين نحن بنعيش وبنموت ببلادنا غير هيك ما في ابدا بعدين فكره اسرائيل واللي بيشد عيد اسرائيل اذا بيهبنا نحن فدائيه حتى اخر اللحظه بعمرنا لو مات ابنا مش مهم لو احنا متنا كمان مش مهم it seems in these movies all places are the same and it's a collective situation for. palestinians, the soothing images of trees and orchards, even if they're just inside the refugee camps,

they will suddenly be bombarded. the scenes of destruction and death after strikes are eventually replaced with the epic views of weapons. دربي بلدي اسمي فلسطيني فلسطيني فلسطيني فلسطيني فلسطيني فلسطيني فلسطيني فلسطيني فلسطيني دمي دربي بلدي اسمي دمي دربي بلدي اسمي عنواني عربي فلسطين. the goal of recreating the battle scenes and these documentaries is to show a good ending to get rid of the pain of failure. by different means the documentaries emphasize the

correct. the past is made possible by referring to children or by depicting them, they are the manifestation of the future and hope against despair and disappointment of the past. in many scenes, the images of children are merged with images of soldiers followed by epic images of the palestinian flag. لا قسما بعاصفه الاباه قسما تردده الدماعه من كل جرح دمدما قسما يجلجلها درا ليدق ابواب السما لا يصل على استلام لا مليون لا من المن نار سلاحي يا بلادي ومدي يا ثورتنا متدي استمر ومدي ومن نار الساحيه بلادي واداتي. are

the common symbols that continuously appear in the palestinian cinema and literature. they are the embodiments of hope, resurrection and struggle. at first glance, this structure describes specific events, but since these stereotypes are repeated over and over in the form of similar scenes, it becomes something more than the recurring stereotypes. the most important achievement the repetitive structure is a creation of a shared historical memory. the memory paints a unified picture of the palestinian nation. مات مات واللي طاب طاب. لا يجيبه هذك الساعه. شو واحد بده يحكي على واحده. the divided

community of refugees is united around a single memory, the memory of the united palestinian nation.

an iranian nuclear scientist. what made him different from other nuclear scientists was that he linked physics and philosophy. یه همچین آدمی خود به خود دنبال این هست که دنبال فلسفه ای پدر جمع بوده پدر این شهرای هسته ای ما بوده. این ها نشون دادن این دشمنان ما که چقدر شقی و در این راه حتی از کشتن دانشمندان هم ابایی ندارد.

your headlines for this hour, hamas has presented evidence rejecting israeli allegations that the palestinian resistance movements operates on the hospitals in gauza. the group of experts in the united nations say there is evidence. of israel's quote, increasing genocidal incidement against the palestinian people, and the commander of the force of iran's irgc says palestine and the west asia region will not be the same following operation.