in this precise cultural environment that deals with important cultural issues, this work was prepared. last year , the foundation went to the supreme council of the cultural revolution by drafting a statute, and it was approved there . alhamdulillah , it was notified in a very short time. i ask you to let me know that our time on one sima channel is over . dear viewers of nimroz news. we say goodbye, if you are interested , follow us on the khabar network and we will continue the discussion at the service of our dear guests. well, ms. fakhrian, you were saying that now.

explain the need a little more and not at all basically, how is it supposed to work? in the space of governance and government, until today we did not have an independent regulator, supporter, supervisor in the field of animation. in the 7th development plan, it has been carefully realized that the government needs to focus on the field of animation, as it is being announced now, god willing. to the. increase the production hours of animations in the country within 5 years of the 7th development plan. well, this was a push and actually a stimulus for the national animation foundation with the specific task of supporting and creating opportunities for mass production and professional production and extensive production of final animations in the whole country should start its own activities in the past years , bekneh was a producer of supporting collections in various institutions. but none of

them have this responsibility, specifically from the side of the parliament and from the side of the program and law, to express and establish a place that can help those who are active in this field or those who want to work in this field. take a leadership role and be responsive to people's demands in this regard, because some of the difficult situation we are in now is due to the lack of a sponsoring institution to produce and actually make animated films. you see, it is not supposed to an institution that is established in the government now, whether directly or indirectly, undertakes the same task to be in a competitive environment with the private sector . obviously, as the high official of the ministry said in an interview with your colleagues, we must be a sponsoring regulator. . and be an observer in order to

help those who work in this field to move forward, naturally, in order to show the leadership of how we are doing, in some fields, we may enter by ourselves, to the extent of modeling, to the extent of being an example. but our most important task is to provide the way parabi cinema, for example, you are not saying that no, we do not have a direct production task, but we have to help to make the 7300 hours that i mentioned come true, and that is from one hand. the institution and a section of the program should all help. thank you very much. now there are many questions in this field, but mr. amdani, i would like to ask your permission . my colleagues prepared a report, maybe to actually know more of our dear audience about this foundation and these will also help. if we let you see this report, we will come back and serve you. we will be here when man made his first attempt to travel to the future. slow down with the generations after

he can speak himself. a communication tool was animated here about 5 thousand years ago in the burnt city. a jar that, when rotated , shows an animated image of a moving goat . and now in today's era, animation is a base game in world cinema. and the share of his narrations in this world is billions of dollars. but it seems that it is not taken very seriously in iran yet. an event that could not be financed for any reason. may the provision of its content

be sufficient in iranian stories. salutations to the great caesar of rome and the best grand father of the world of emotions, the elements of life, the style of life. abnormalities are discussed here the culture of all this is actually included in the animated film and you can actually have a very strong educational and educational lever. it is possible to be drawn in the cinema and animation world. of course , it has been several years since iranian animations have opened their place in the world, for example, this dolphin boy who traveled to many countries. i hope that all people understand the importance of reviving children's cinema and

i think that it is attractive to them. we can introduce ourselves to the next generation. or the smart kid who became the bestseller. there are people who go to the cinemas with their children. now in iran, which was the creator of animated pictures 5 thousand years ago, poyanami has found a foundation, the national animation foundation. it is not known who gave them the certificate. we are you, with a higher program , as you saw in my report, mr. hamdani , they are one of the producers of this field, and the dolphin boy movie is one of their productions. do you think that the launch of this how much can the national poniad of animation help and be effective, as someone you already know and are active in, in the name of god, i

say hello to you, as well as mrs. doctor and all the achievers and loved ones who are watching this debate and actually. i hope that it will be a useful conversation and that these conversations can continue to happen in seda sima organization , so that i can tell you that before entering the government, we should look at the areas of broadcasting , where are the weaknesses and where are the strengths. let me start from the broadcasting organization in 1972 animation. it happened at the same time as sima film and it was intended that these two organizations should actually have special a productions, which means they have enough budget

for high-end productions in the field of animation. we are, for example, one -twenty-one-third of the budget that cima film has is in the center of the conflict. well, if this pest is not properly examined and properly diagnosed, it may get stuck again and turn into a foundation or an institution and an institution that is not efficient enough. we usually make a revolution well, but it is more difficult to control it now regarding the national animation foundation. well, it is a very blessed event . it means that all of this is due to the fact that we can do this right, as the people of isfahan say

, that is, we can maintain it properly, we can make it grow well, and other institutions. they are also active in the field of animation. the development of family culture and iranian islamic culture in the field of children and teenagers, and also that we can have many other parameters from animation , for example, introductions for adults , adults for virtual and social space productions, and

the definition of many concepts that we want for let's have adults. i want to say that it includes a wide range of animation. i hope that mrs. doctor can do it. in fact, the research and pathology of the past institutions can perform better than before and in fact , it is a bright spot in this field. one of the discussions raised by the doctor is that 7,300 minutes of production per year is 7,300 hours, and this may cause concern. maybe at the end of the year , we will not be able to produce these 7300 hours in these 5 years, and then this time is running out, and in order to reach that goal, start now, either produce yourself or support the works that maybe have a distance with those main standards of yours and finally we will see a series of works that

we just want to fill this number of 7335 years. this is an important point that we have been involved in for many years in various productions and we should talk about it freely , but i have an explanation. i have to assign 7,300 hours in the 5-year development plan, considering the honorable parliament, well, it is a very heavy task and very appropriate. with today's conditions, our animation production situation is not good. there are a few incidents, but in addition to it, directly and indirectly, in the same supplementary clause , 7300 hours for the institution and the ministry of home affairs should be taken into account. it has been seen that it is the responsibility of the ministry of culture and islamic guidance to help in this matter , but i will give an example to the ministry of economy and finance for the scientific and technological support of the presidency and various institutions that should cooperate in various infrastructure areas in the customs issue. in the matter of

hardware and software , the task of creating science and technology parks for animation has been seen for them, so this task is a task that requires inter - institutional cooperation. the title of synergy is written to create and as i have said many times in the startup space in these few months, we can realize the hours, but with a detailed plan , normally i cannot say that we should divide the 7300 hours by five, let's say every year, we should let's have so many results, not a series of works except for these collaborations, other basic works such as the subject of training for the training of human resources who are both related to this space and feel from this space that they can grow and be effective in it and feel appropriate from it. as an influencer , we must provide this is a cycle normally, in today's situation, we have

to spend 7300 hours to reach it in 5 years. is this hour in 5 years all cinematic or not including other dynamic productions? naturally, the space of the cinema and the somewhat limited space of the cinema cannot cover all these hours, and people are not only the audience of the cinema, the audience of the television series are the audience of many other places in the space of education, in the space of public understanding of public culture, which is needed. let's use the animation there an animation show will definitely take a large part of this, but in our year, considering the ability we have now and the ability we help , the private sector should have more and develop it. how many movies can we produce? there is a part of the work that must

be focused on the method and can show us in the world markets, but we also have a very wide market for other products, both for its products and for its specialists, we have plans after these 7300 hours in 5 years from where did it come from, that is, why did you reach this number? i think that of course this question we should ask the majlis research center and the majlis . it is written that the parliament , the commission and the research center of the parliament think together and decide on this matter. even i remember that last year the honorable minister of culture and islamic guidance was present in the parliament and about the reduction of the number of hours. but the representatives must have a research and a basic insistence that no, with the same number of hours, we can say during the fifth plan that we have developed it. i think that if everyone helps they say we can make it happen. well, sir, in your opinion

, it will come true. anyway, yes, let's see , animation production is a costly production, and maybe yours is one of the films that are blockbusters or smart kids, but with this, the professor is careful about time. i say no, and in addition to the smart kid and the boy, his film is one of the films that are almost sold, but i feel that considering the time you spend on it. it takes four to five years for an animated film, the costs of the human resources involved, maybe 60-70 billion tomans with these sellers. it has been put back. and for this reason , it is perhaps even ahead of the cinema, because it can be screened very easily without borders in different parts of the world and not be seen as a foreign film, because by nature, when it is produced, it is not clear

where in the world it was produced and for whom. the audience wants to be presented, but at the beginning of the establishment of poya network , there was a concern that maybe less than 10% of the animations that could be broadcast on poya network were iranian, and 90% of them were foreign animations. especially we do this in minors and children have less of this problem we are trying to provide events that fit our culture, but when we raise the age a little bit, it means that the audience will be 9 to 12 years old, for example , especially for the dear girls of that land , puberty is a very important period. if we use it abroad, then we definitely need to have a large amount of products that are compatible with our local culture

, but what you said is that if the quality goes down, what will happen. it's a good question. you see, one of the problems we sometimes have is that we become the orderer and the exclusive orderer of this. in the economy, you have usually seen that when a sole seller becomes a monopoly, he is called a monopoly , but in the economy, a sole buyer is called a monopoly. when there is a sole buyer, several problems may arise , one of which

is that this industry must be connected to the market, which means that what the audience chooses must be produced. well, this is very complicated. it means that you should be a government and allow the producers to have an active presence in the market .

radio and tv i say now because now i know more about myself, i am like this. he should go to the producer and produce his commercial products, go to produce his movie, go to the next series in the world, in all the cinemas, basically, you see, let me give you an example. and in fact , the flying character that happens will be very valuable. the example i want to give you is the disney company, which has a large number of companies. it is actually considered a holding company . the dollar is something like 10% of his sales

, which means 90% of his income. all of them are suitable for that video, but there are other products , such as parkas, merchandize by-products, etc. eat to create an ecosystem, if we always want our input to be order input and not create a cycle from that side , it is definitely a faulty system and cycle. now let me sum up what you said or what i received is that to every now, there is talent, there is capacity , there are technical capabilities, but in the middle, there is financing and money, so i am open now.

it attracts foreign companies, well, this is a problem in itself. now if you ask me, tell me that if you are on this scale now, it is good that the loved ones at home know that, for example, if an animated film is produced in iran for, for example, half a million dollars, it will cost a million dollars. its aspects and its foreign dubbing are in, for example, disneyworks, in big companies, 150 million dollars, that is, 150 times, but if you tell me now, 150. because we don't have anything more than this number in human resources, it means that one

when the company in iran wants to actually produce an expensive and high-quality product , it finds the problem of expert human resources, which is the infrastructure that now has professional ethics, and it takes a long time to build that infrastructure. it takes time to actually convert. an infrastructure that can be fruitful, for yes , doctor, for these problems that mr. hamdani mentioned , it was a very accurate reference. see, when we talk about the need to increase 7300 hours , we do not mean direct orders, whether this institution or any other institution. it's not supposed to that there is zero customer for the land where there is no one to work on it is enough, this is a matter of professional ethics, which is to say and know my space. i mention it as an attachment to space and understanding the need for space . it is an important issue, so when we say that we have the duty to increase 7300 hours, it means the whole cycle and

process that can help the private sector do this. in no way, no institution can come and say, i'm going to put money on the table and let this happen. during these 5 years, we should focus on the issue of training and helping the studios and companies that are doing this. opinion. young people who can come and work in this field and stay in this field, and when you ask them what they do, what field are you active in, they should clearly say that they work in the field of animation , while legal issues, tax issues , activity issues if we can fix this area , then we can hope that this will happen even more or that the conditions will be provided so that if someone wants to work in this area , the national animation foundation will work. it will not be a producer, it is definitely a matter of management, this is a matter of regulatory regulation that i mentioned, the customer is in the limit of the model is the sample of the customer himself, he just has

to ensure that the orders you are making are within the model and sample limit . an important event has happened in the ministry of culture and islamic guidance, that the national animation foundation is a non-private and non-governmental organization. seeing how this will help us, like many other institutions , we will not have to wait for the budget, god willing , the amount of funds that the government can provide will be used as initial capital, as something that can be used to start up, and this institution which is seen independently next to the collection it helps private individuals to be able to create value and create wealth. we need to think about the world of stories and the world of ideas instead of thinking about single products . next to every product that you see today , there can be 52 other products, and if such a foundation goes to this space and can

operate in the investment space, in the space of market creation and marketing, this financial cycle can enter the private space. even if he did it, he didn't just wait for the budget. we create this system in many places in government spaces. we don't use it. the view of the ministry of guidance is that when we approve a structure that is closed but independent in all respects in our country and we are starting it, he can enter this big important game himself for a year with eight legal members and five there are eight legal members in the board of trustees of this foundation , which is basically the main form of the foundation with these elements. and 7 other members who are from various professionals in this field, such as the head of the art academy, the ceo of the center for intellectual development. to be able to have synergy, the members of the five

real members. in the mena board, we have seen professors and experts in the field of animation and teenage children who are elected to the supreme council of the cultural revolution and introduced there. in the selection of the real members of this board of trustees, which actually approved and approved the main route

in these few months in the setting up space , i personally talked to all the dear ones and got their opinions on what direction to take. taking and we used it in the establishment environment , but do they have or be present in the decision-making and decision-making yes, yes, the board of trustees is a specific board of trustees, of course, the programs that are presented to the board of trustees are through the officials of the foundation, and i am also present, and saadat i have to do this for sure. the opinion of the activists of this field is that they are going to do the main work without the guild , without those who are in this field, they will work or will work. i want to ask the same question to mr. hamdani, how can this national foundation help you, mr. well, this is a very big question the answer is long, of course, but look, i will give a general overview first. when we want to help an industry to start, in fact, it is possible

to involve different industries in order to achieve the result. for example, the automobile industry, when it wants to start now apart from the specialized industries like steel etc., which must all work together, even public participation will happen and we will bring all the people to the same understanding. but actually in the field. we have some demands now as an example, if you have a network that actually broadcasts online and you buy a subscription , go into it, you will see that there are actually different titles, different genres for movies, action dramas, i don't know, romances, and iranian movies, iranian movies have become a genre means the audience. many audiences like to

watch iranian movies. when they go to the category , iranian movies are playing. when you enter the world of animation, iranian animation and foreign animation have no meaning . you enter the world of a child and the child does not know where you are. has it is produced because it is possible that the characters and personalities are actually beings at all , that's why i want to say that when we come to the home show network, we will be next to movies that are available with a simple download. coming to that home show network while they are 100 times 200 times their production cost and we are going to make an iranian animation, we are going to compete with this, so we will definitely fail because there is no copyright issue, i want to say that one of the issues is supporting the iranian industry means that you support it in a way that makes it competitive or copyrightable it should be the same as everywhere in the world, that network is

a home show. if it is reasonable, even a private investor is willing to come and invest and go to the home show network and make money, there is a high turnover there . we have dolls and more than 90% of them are usually smuggled .