to, and that's all from us for now. coming up next i would take, show shift gears for musicians, worried about occupational intelligence, dealing their ideas, voices and eventually their livelihoods. i monica jones for me as a team member and thanks for watching the shuttle the currently more people than ever on the world wide in such a base in life on the bus. and so jessica admitted absolutely gosh, find out about rubinez story info. migraines. can you see what cod tires have to do with you production? here's a hands on the

real media watch now on youtube, the best bang i was written by i in just a few minutes using an online a i audio platform will explain how this works in just a moment. what do these new possibilities mean for the future of music i'm sounds, will everything end up sounding the same or does i actually encourage creativity today on shift? how do you use a track with a i? is it as easy as typing questions into chat c p t b, as in sydney and musician nicholas mother, wherever you shows us how it works, a step one, generate the lyrics using chat, c p t. you give a simple prompt and get the simple result. or on the truck at the tech check g p

t progresses worldwide. the re as musical ideas take strides, it will stay forever. what in the media rights step to nicholas by the way, every copies the lyrics into another tool, which requires just a few lines of text and a short description to create a song in seconds. that may i have to delete the words cor, was in pre chorus, and here let's choose odds into union legend pulse. most audio a i models are develop in the u. s. which means that data bases are full of u. s. music, country hip or sold in english, they were just fine, but the very in brass music, not so much. nicholas by the way, already and the future x team are researching how let in american music is influenced by algorithms in it. more difficult for in the i model to understand the

complexity and the specific characteristics of a region like legend, america. that's the challenge. how can we create tools that represent our region? and that's, i mean, that's december present the, the final thoughts you a survey in 60 and that an american countries have shown that so far create these haven't really tapped into the potential of a i can marshal. so how do we use a i mostly for project management now, reactive work and nobody said, but i was looking at the musicians from all over let in america work for the organization, future x to test they i in music production, they compose the song together using various i tools, the numbers. oh my god say for to me this is fun, but it took us about 6 to 8 months and we tried different things and experimented

with different tools done. if at the stop, you could hardly tell that we're using a, i can get the results in with most instrumental in my thing. and people say, so they did it because of the fact that them nobody left in late to be trained in a i model using voices from famous latin american sing as on the they, they, they, when did they say they got, they gotta come done this, they let me because the key to this song has quite an experimental sound. the but it does give the sound research has some valuable insights on any young i'm with. and this song was supposed to tell us something about voices about women, and many voices becoming one. it wasn't so much about making a nice song,

but more to find out what happens when we bring all these voices together. that was this kind of like creating a mag of voice from one of the i was young to the musicians and scientist is training a i audio tools with a traditional sounds of his homeland if he is that many regional musical styles could otherwise be lost. the producing for the cool thing, i think it's important to understand how it is trained using these models shouldn't create the risk between us and our cultures, the left side of it. but in fact, the technology you should deepen our cultural identity and enable more access to local traditional music kind of going with the yellow one corner

across the world. there are different opinions on how to go about using this technology. we don't want to help me write a song, especially when it's not a thing or not it's never going to replace live music i think. and that's mainly the way i lead from. so like, i'll use it in a scenario where i'll be able to take a be off the off the track or i'll be able to pull a guitar line up a track to take me to another direction. the idea of a i as a creative pod, no sounds exciting to me. it can also help you sing songs in other languages. if i want it to rep in spanish, for instance. as thought it most in me, i would have had to ask my colleagues at boston to help me out is 3, and we'll see another point of doing drop us took it out and the spell out as being a lot of the monthly armando. no. but now i won't need them anymore. i can use an a

i tool instead. yeah, to them, it already being used by audit. south korean k pops in, i'm making that record songs in english to target a global audience. because he loses n a i to it helps him practice the perfect potency ation. midnight produces songs in 6 different languages including korean, english, japanese and spanish. first, because the spanish lyrics. oh yeah. not too much. i can control and pick them hey i steps in to help the song, the crow, this page. this was really hot. will it will pods i just couldn't get right. i wanted to run out of the studio tonight, but when i heard the results and what a i had to fix to me, i was really amazed to where the listen. so how does it work, attract with a native speaker? reading the lyrics is added. the software then combines both spoken text and singing south korea's major music label, the hype website,

both midnight and the world famous boy. then bts like to experiment with this software in studio productions. $20.20 to go. we divided a piece of sound into different components, condensation, to contemporary pitch, and volume. gibson young. we looked at pronunciation, which is associated with talking movement, and use the imagination to see what kind of outcome we could get using our technology. because i'm telling you it comes out of pushing take lock. we have this entirely virtual girl. the may from south korea also uses a i generated voice is the full of a task. can speak to that fans and korean english friends and perhaps the new way and yeah, they really like mit net mates. appearance and dance moves are entirely computer generated. the could use as use motion capture and audio visual intelligence. the

south korean entertainment industry helps to further develop may with more performances in the pipeline. so clearly, mave is made with a i, but audio fakes, and not always easily recognizable for us, the audience, famous voices, can be recreated using a i song structure and style can also be replicated fairly easily. unfortunately, this is often done without permission from the original artist a few months ago, a song featuring prove out to recon rep, a bed, find his voice, then 5 wrote the song was made by a bit funny, but by mauricio posters also known as flo. d. p. d, using a i bet finding it was not him used on watts if he told his 20000000 follows to on follow him if they like that song that they can buy. so

when that happened, i got skid. the whole thing just blew up. most of the odd is that was very angry. so the what am i need? but nothing has happened so far. and i x, but cloud yet, gutierrez doesn't see any reason for mauricio to be consent. a little ship with a slow g p t come or logs. he knows he's unlikely to be seen how to do so. yes, bob funny is angry because his voice was used, but it's still a legal loophole. seeing that my bed bunny quotes su 4 copyright violation, but that's the time consuming and expensive. it has been done, though. in spring 2023 universal music group took legal action against the virus a i hit hard on mist leaf that feet should voice clones of drake and the weekend. and it was a success platforms like spotty, if i had to take this on down for smaller artist without the major labels

supporting them. this often not much they can do to this day. best be no clear jurisdiction on these copyright matters. also what happens when clone voices sing, lyrics that go against what an artist stands for. it could huge the damage, the image and career the odd is having the voice as copied is a real problem. when it comes to the music, there are some crazy ideas floating around the 10th floor, and this east london club is pack, but best no d j in the booth. the da da i driven up new. but this app use this pre produced loops and samples to create new tracks. use us can like, or dislike, be automatically, generate, attracts, which that's the app react to that taste. but the resulting sound is not for everyone. that doesn't have an

understanding of the crowd. i'm wondering, crowd in the moment. so i thought about the music name, whatever me that moment, and a id j in the clap. that's not for me it's, but generally speaking, i do find the potential of audio a i pretty fascinating. still, let's not forget that many of these models are built on real people's work. in other words, that train with songs from real artists who don't get paid for this method for today's the next time. by the

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